#BEHRINGER MONOPOLY PROFESSIONAL#

It's an Analogue 4-Voice Polyphonic/Paraphonic Synthesiser with 37 Full-Size Keys, four VCOs, VCF, two LFOs, two Envelopes, Sync and Cross Modulation and Arpeggiator. Get your hands on the Behringer MonoPoly. The MonoPoly from Behringer is designed to replicate the famous sounds of the early '80s.

#BEHRINGER MONOPOLY PROFESSIONAL#

ItвЂ™s all wrapped up in a roadworthy, vintage-inspired chassis with a control panel you can angle to taste, satisfying knobularity for real-time, hands-on tweakery, 37 great-feeling keys, exhaustive professional I/O, and prototypical wooden end caps. From fat basses and searing leads to jazzy chord voicings, MonoPoly has you covered.Д«ut thereвЂ™s more! In addition to its four VCOs, MonoPoly is also outfitted with a classic VCF, two LFOs (low-frequency oscillators), two envelopes, sync and cross modulation, and an arpeggiator. In practice, this gives you a huge amount of musical flexibility. The MonoPolyвЂ™s variable architecture allows you to use it in either monophonic or 4-voice вЂњPolyвЂќ (paraphonic) mode, in which the four oscillators are allocated to individual notes that are then summed to a shared monophonic signal path. And they can be yours for a song!ДЄnother singular feature of the Behringer MonoPoly - again, faithful to the original - is its ability to split its four voices. Today, the sounds of the вЂ™80s are alive and well in the Behringer MonoPoly. The synth is, of course, BehringerвЂ™s rendition of the revered Korg Mono/Poly, first released in the 80s and heard on tracks by Depeche Mode, Vince Clarke, MGMT and Tycho. These are the sounds that drove iconic hit records from artists such as Depeche Mode and Vince Clarke. Five months after its initial announcement of the MonoPoly, Behringer has opened pre-orders for the synth with a low price tag of 699. The Behringer MonoPolyвЂ™s pure analog signal path is based on the authentic MonoPoly circuitry as well as other exceptional VCO, VCF (voltage-controlled filter), and VCA (voltage-controlled amplifier) designs from the 1980s. Although a faithful emulation, Behringer have projected the. Coming complete with four multi-wave VCOs, two envelopes and LFOs, as well as a classic 24dB Korg-style filter, this synthesizer sounds as good as it looks. The ability to sync and subtly detune oscillators so that they вЂњrubbedвЂќ against each other are cornerstone synthesis techniques having four VCOs to deploy gives you a formidable sonic arsenal to forge a broad range of unique signature sounds. The Behringer MonoPoly Analog 4-Voice Polyphonic Synthesizer will be a welcomed addition to any producer's or performer's set-up. While many вЂ™70s synths sported two VCOs, having access to three was considered a luxury. The impossibly rich sound of the Behringer MonoPoly is a function of its four true-to-the-original voltage-controlled oscillators (VCOs). But fret not! We're proud to present the Behringer MonoPoly, a meticulous reimagining of the coveted beast, seamlessly infused with modern features and reliability. Today, vintage MonoPolys are quite rare - and rather pricey even if you can find one. As good as it was, it was, curiously, only on the market for three years. Equipped with no less than four oscillators (each with multiple waveforms), the MonoPoly was capable of insanely fat sounds and prodigious bass that could blow holes through walls. One such analog synth, the MonoPoly, made its debut in 1981. In the feverish musical creativity of early вЂ™80s, the clangorous sounds of early digital synths were offset by the supremely lush sounds of a new crop of analog synthesizers, both joining forces to spearhead the synth pop insurgency of the coming decade.

Tap into the Epic Synth Sounds of the вЂ™80sД«y the dawn of the 1980s, analog synthesis had matured to a level of sophistication that nascent digital technology could scarcely hope to match.

37-key, 4-voice Mono/Paraphonic Analog Synthesizer with 4 VCOs, VCF, 2 LFOs, 2 Envelopes, Sync and Cross Modulation, and Arpeggiator : makes me feel like I'm back in the early 80s watching some rad sci-fi show. Nice one Jamie, Sounds like early DM ! Comment by Swircle 987Д«eautiful retro vibe. This is awesome dude! There's something about pure synth tracks that get me every time. I've liked all your tracks that I've heard. Drums were made first and sampled into Maschine to make a Kit. All was recorded in Logic, one sound at a time. Here's a track done entirely with the Behringer MonoPoly, everything, even the Drums.

Behringer monopoly